![]() But It would be extraordinary if Avid media, which is SMPTE, and used for acquisition and intermediate work, will only play on a Mac from within Media Composer. This comment was made on a Facebook group the other day and I have to agree: Reading over that list of future incompatible media it seems the one that might be most affected is all the Avid codecs. There’s also a document on this about iMovie. In my quick testing, it seems to work quite seamlessly.Īlong with today’s release we get an updated white paper About incompatible media in Final Cut Pro X. Hit the File menu for a new Check Media for Compatibility… option that presents you with the same Skip and Convert options you get upon import. That’s a nice, tidy ProRes conversion for my 03 clip.Īnd what happens if you chose to Skip instead of convert? If you choose to convert then FCPX will go to work transcoding the clips in the background and placing them wherever your Library storage location is set. It’s nice to get a specific clip named list of that incompatible media on import and you have an option to Skip or Convert. The bottom two are Cineform exported right out of Adobe Media Encoder and that is already a no go for some reason. The 2 sets of parents clip is DV and that is expected to be supported. The MXF files are various flavors of Avid DNxHD including DNx36 and DNx175. Let’s take a quick look at how this will work.Ībove you can see we have some media. That announcement promised a new version of FCPX in 2019 and today we get just that with 10.4.6. ![]() There was much ado about this and we chatted with Apple when this announcement was made. Import and export XML to support third-party workflows.You may remember in December of last year that Apple let it be known that future versions of Final Cut Pro X would not support “legacy media” that was incompatible upcoming versions of Mac OSX Mojave.Use themed menus to quickly create and burn DVD or Blu-ray discs.Control color, saturation, and exposure with the Color Board.Enhance the look of any clip with one-click Balance Color.Expand and edit multichannel audio files right on the timeline.Change the look of titles, transitions, and effects with intuitive controls.Preview effects to see how they look in the frame before applying them.Beautifully animated, easily customizable 2D and 3D titles.Background processing allows you to work without interruption.The 64-bit architecture uses all the RAM on your system for larger projects.Create and apply your own keywords on the fly by selecting ranges in your clips.Organize your work in libraries for effective media management.Optimize the beat right on the timeline with the built-in precision editor.Reduce clutter by grouping clips into a compound clip. ![]() Collect clips on a magnetic timeline without clashing clips.In short, you can use all the most advanced and varied video editing tools including video samples and more to make your video stunning and professionally appealing to viewers for all types of events. Plus, Final Cut Pro Full Edition lets you create a unique color palette and quickly remove noise from your video. It has a very adaptable and easy to use interface with good graphics for all beginners and advanced users.
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